Hartland Quay on the North Devon coast was once a small harbour, however at the end of the 19th Century it was reclaimed by the power of the Atlantic Ocean. All that now remains are a few cottages that make up the Hartland Quay museum and a hotel.
The beach is largely sheltered rocks out at sea and high cliffs. A perfect place for an evening's photography.
After exploring the coastal path along the cliff tops for most of the day, I arrived on the beach about 2 hours before sunset. I started to look for on potential compositions for some sunset and dusk images. The tide was still retreating by the time sunset arrived which meant I didn't have to concern myself with getting stranded or keeping close tabs on my gear which can easily get swamped by incoming tides. However it did mean the exposed sand in my compositions was vulnerable to straying walkers.
While I was setting up my camera for my first image I bumped into fellow landscape photographer Stephen Ring and we got chatting. Time slipped by and before we knew it the sun was close to setting. I managed to make my first image, but the distraction had cost me dear.
At some point, while talking I am sure, someone had walked right through my next planned picture, ruining the pristine sand. I had selected that composition for the patterns and tidal pools in the sand which would be perfect for reflecting the dusk light. I had a backup composition, but that proved a little harder to find again in the dimming light! By the time I had found it and set-up, the light was very dim and I noted that Stephen was already leaving the beach. Quick mental arithmetic told me to expose the film for 20 seconds. Then flipping over the film holder, I made a second "backup" exposure. It was time to pack up and see how Stephen had done.
This wasn't my first choice of composition and so inevitably I am somewhat more critical of it than usual, but I am still pretty pleased with it. Besides, after an absence of several months, it was good to be back at the coast.
After exploring the coastal path along the cliff tops for most of the day, I arrived on the beach about 2 hours before sunset. I started to look for on potential compositions for some sunset and dusk images. The tide was still retreating by the time sunset arrived which meant I didn't have to concern myself with getting stranded or keeping close tabs on my gear which can easily get swamped by incoming tides. However it did mean the exposed sand in my compositions was vulnerable to straying walkers.
While I was setting up my camera for my first image I bumped into fellow landscape photographer Stephen Ring and we got chatting. Time slipped by and before we knew it the sun was close to setting. I managed to make my first image, but the distraction had cost me dear.
At some point, while talking I am sure, someone had walked right through my next planned picture, ruining the pristine sand. I had selected that composition for the patterns and tidal pools in the sand which would be perfect for reflecting the dusk light. I had a backup composition, but that proved a little harder to find again in the dimming light! By the time I had found it and set-up, the light was very dim and I noted that Stephen was already leaving the beach. Quick mental arithmetic told me to expose the film for 20 seconds. Then flipping over the film holder, I made a second "backup" exposure. It was time to pack up and see how Stephen had done.
This wasn't my first choice of composition and so inevitably I am somewhat more critical of it than usual, but I am still pretty pleased with it. Besides, after an absence of several months, it was good to be back at the coast.
